Posts Tagged ‘OOP’

‘Awakenings’ and Disinhibitors: Thoughts on the human-animal distiction

October 1, 2009

image127In his book, ‘The Open’, Georgio Agamben unfogged another area of his intellectual terrain which has cross-pollinating implications to his work on biopower, law and humanity. Through a reading of Baron Jacodb Uexkull, a zoologist who aimed to abandon anthropocentric perspectives of life-sciences and understand the life-world of insects and animals, Agamben seeks to follow and go beyond Heidegger in an attempt at uncovering the unthought between the animal and the human. Like Heidegger, Agamben’s focus is on the notion of ‘world’. By defining ‘world’ we define the human. For Uexkull, a life-world (Umwelt) is the environment-world dictated by ‘carriers of significance’, ‘marks’ or as Heidegger puts it ‘disinhibitors’. These disinhibitors are things of interest. More importantly, they are the only things of interest for an animal or insect. Using this observation as a starting point, this article aims to use the film ‘Awakenings’ and Graham Harman’s object-oriented philosophy to tease out a more appropriate definition of world which is big enough for humans and animals.

tick-main_Full

In one fascinating investigation of the Ixodes ricinus, which is commonly known as a ‘tick’, Uexkull discovers that a tick responds exclusively to three disinhibitors: 1) the odour of the butyric acid contained in the sweat of all mammals; 2) the correct blood/bodily temperature of 37 degrees; 3) the skin’s typology (if it has blood vessels). If these disinhibitors are never encountered, the tick will lie dormant, in a ‘period of waiting’. Once the criteria has been met, the tick acts indiscriminately on any substance or creature defined only by the presentation of these qualities. The animal, Heidegger notes, is fully closed in the circle of its disinhibitors. Beings are not revealed to the animal, but they are not closed off. It is never revealed to itself as being, neither is its environment. How does the animal relate to the world and to being? For Heidegger, the animal never relates to being as being. They are always “suspended.. between itself and its environment” (H in A, 54). “If [animal] behaviour is not a relation to beings, does this mean that it is a relation to the nothing? No!” writes Heidegger, yet “it must be a relation to something, which must itself be?”. By conclusion, animals must be open (offen) but not disconcealled/openable (offenbar). What this means for the animal is that it has something, but does not have a world, it has only disinhibitors.

The problem I see with this is Heidegger’s necessity to keep the human mode of access to being superior via his concept of ‘the open’. It is through ‘the open’ that Heidegger wants to counter the ‘monstrous anthropomorphization of.. the animal and a corresponding animalization of man’ he sees in the work of Nietzsche which is ‘the oblivion of being’ squarely at work (H in A, 58). For Heidegger, it is fundamentally this fleeing from what is uniquely Dasein’s being that equates to nihilism. It is only through ‘the gaze of authentic thought’, Dasein’s being-towards-death whose being is of concern for it, ‘can see the open which names the unconcealdness of being’ (H in A, 58). The whole of Heidegger argument rests on his notion of the open (or the clearing, as it is better known), who has access to the open, who is in the open, which is reserved elusively for Dasein.

It is here that I hear an interjection from Graham Harman: “there is no free transcendent clearing, in human Dasein or elsewhere” (Tool-being, p. 288). The possibilities-to-be that are presented to Dasein by it’s openness to being are not purely futural, as Heidegger states in Being and Time, they are conditions of the actual relations of objects as they unfold as events. But, as Heidegger says, “the animal is excluded from the essential domain of the conflict between unconcealdness and concealedness. The sign of such an exclusion is that no animal or plant “has the word”’ (H in A, p. 58). [For a rejection of this, see my last post HERE] The word does not bring us any closer to being and does not mean Dasein has a world any more or less than an animal. To make his point, Heidegger refers to the experience of profound boredom as something unique to Dasein which proves that Dasein has a entirely different relation to the as-structure of being than animals. Profound boredom is the feeling of being ‘abandoned in emptiness’ to objects that ‘have nothing to offer us’. They have nothing: no-thing; no specific being that seeks to captivate us. There are no disinhibitors which can engage us in a task or project, nothing to be taken with, there is no captivation, yet we are held to it. If I wait in a super market queue I become bored because I am not captivated by anything, my range of disinhibitors doesn’t include the glossy magazine full of useful calorie counting tips that stares at me from the display which includes tooth rotting temptations and a range of insurance products. In this nothingness, I am handed over to a proximity to being equiprimordial to the captivation of animals towards abstract disinhibitors.

In the film ‘Awakenings’ Malcolm Sayer , the doctor played by Robin Williams, brings a set of catatonic patience ‘back to life’ through the administration of a new drug called ‘L-DOPA’. There are many wonderful themes throughout this film that I won’t cover here (I might write a post about it), but for our purposes it is enough to look at how the film (and I’m sure, a lot of actual medical case history to go with it) gives credibility to Harman’s object-oriented philosophy (OOP) against Heidegger using Heidegger’s own notion of disinhibitors. Such is the simplicity and power of the film ‘Awakenings’ it was quite clear how these issues overlap. The patients in the film do not respond by themselves but require a push start or some kind of sensual provocation. Although there are many examples, the clearest example I like the most is when Lucy (played by Alice Drummond) tries to walk over to the water fountain but stops. Dr Sayer believes he understands the problem based upon his ‘borrowing of will’ theory. Lucy stops before she reaches the window because her field of vision is broken. The chequered pattern of black and white squares under her feet come to an end. There is nothing to ‘will’ her onwards. Dr Sayer and nurse Eleanor colour the floor to match the chequered pattern. When they watch Lucy this time, she doesn’t stop at the edge but continues forward but not to the water fountain as Dr Sayer thought, but to a fan. The floor acts as a visual disinhibitor, in the same way my boredom in the supermarket is only broken by my turn at the checkout.

L-DOPA

L-DOPA

The difference between me and Lucy is that the disinhibitors have been reduced for Lucy. Although I may suffer profound boredom at the supermarket, the number of disinhibitors are still greater than Lucy’s although my orientation towards beings is one of ‘inactive possibilization’, the refusal and indifference towards beings as being something in particular. Scientifically, boredom is said to be related to a lack of dopamine in the brain. Dopamine is formed by the decarboxylation of L-DOPA (according to Wikipedia). The massive doses of L-DOPA administered to the patients in the film were enough to create enough dopamine to expand their range of disinhibitors. I would like to define disinhibitors as ‘paths of abstraction’. For instance, I look at the lamp in front of me. I intend the lamp. Before it was there it was not there. Silent and invisible yet being. I knew it was there but I haven’t thought about it since I last turned it off, about 12 hours ago. What do I think of when looking the lamp: 1) it is something 2) It’s a lamp 3) it’s a pink lamp 4) it head droops down like a wilted flower. I could go on, but I won’t. My first line of abstraction was the ‘isness’ of the lamp, my next line of abstraction was its species identification as a lamp. Next was the abstraction of an identified colour relation. And finally, a metaphorical abstraction. Notice that even the first indicator, ‘isness’, is an abstraction. One way of looking at the difference between human beings and animals is down to the control of disinhibitors. I see human disinhibitors in a spectrum. The activation and deactivation of disinhibitors is caused by any number of environmental stimulae (i.e. a change in object-object relations) which form and break ‘lines of abstraction’ within sets of object assemblages.

As Harman explains, “abstraction is not a feature of the human mind, but of any relation whatsoever, since two events are so utterly concrete that they make contact at all only at the price of abstracting from one another, dealing with a small portion of each other rather than the totality” (Prince of Networks, p. 55). I abstract the world by a different set of disinhibitors than Lucy, just as a tick abstracts the world by a limited number of disinhibitors which given the correct conditions are activated without discrimination. For a tick, these disinhibitors are easily identifiable through testing those conditions to gage a response. I disagree with Heidegger on the ontological implications of my refusal of beings during profound boredom, as he states “the refusal is a calling, it is that which makes authentically possible the Dasein in me” (H in A, p. 67). For Lucy, the refusal of being is the absence of any disinhibitor, the ultimate disinhibitor being dopamine, which brings with it a whole set of new disinhibitors.

The tick examined by Uexkull was kept alive for eighteen years without nourishment, in absolute isolation from its environment. He concludes that ‘without a living subject, time cannot exist’, the world of the tick lies in suspension. For the catatonic patients of the hospital a similar fate has befallen them. When they wake from their catatonia, time has not mentally passed. Their mental disinhibitors that allow for self-reflexivity were not activated. They awoke to a new world which mixed two new sets of disinhibitors: their psychophysical condition and the concrete world of actual relations. The difference between their condition and that of the tick in isolation can now be explained. The tick’s body is not engaged enough in a world of relations to cause tissue degeneration. For the patents, their bodies are still heavily engaged in relations with the environment, hence the effects of ageing are more than apparent. The psychophysical body cannot avoid the environmental abstractions between itself and its world. In profound boredom we find the experience that link the catatonic patients to the isolated tick and to my experience in a supermarket. Thus the difference between human Dasein and animals is not an ontological difference but a difference in the ‘lines of abstraction’ which disinhibits reactions under actual conditions of any object’s thrown facticity.

NB – ‘H in A’ means: Heidegger quotes from Agamben’s ‘The Open’

Review of ‘Tool-being’ by Graham Harman

September 23, 2009

tool_beingIn this book, Harman alludes to truth being more like a key to a lock than adequatio or the revealing/concealing play of alethia. The mind numbing drudgery of thousands of pages of Heidegger’s gesamtausgabe are unlocked from their semi-mystical confusion (as Harman points out, Heidegger does get confused by his own discovery) and brought into a profoundly simple freshness and engaging clarity.

As a confessed Heideggerian now for more than two years, I’m constantly stuck by the tiniest of details that can reorient myself towards his work in quite bizarre and absurd ways. Last year I was decrying the absent gods and celebrating the call for their return, vouching to set on a course for the poetic reawakening of beings towards being, leading the charge against the technological dragon that stalks our essence, causing us to flee from being by cutting us off from the its own questioning. I even become obsessed with the mystical and religious currents of Heidegger’s talk of gods, which led me to read Caputo and other such religio-Heideggerians. From this I came away with wonderful answers and new insights into figures such as Meister Eckhart and D.T. Suzuki and the world was now a more magical place. Now, in contrast, I’m about to drink to the health of what I, and many others in the know, see as a redefining phase of philosophical brilliance… the speculative realism movement and in particular the work of the object-oriented philosophers and ontologists (most notable are Graham Harman and Levi Bryant). How right old Paul De Man was when he said that each profound moment is one of insight and blindness.

There is always a level of total bewilderment and deep understanding with Heidegger. When I first read ‘Question Concerning Technology’ which quickly made me a convert, I feel I grasped Heidegger almost as much as I do now, although now I am several thousand pages of dense text the richer. This is because, according to Harman, Heidegger has actually very little to say, he just says it in lots of fancy ways about many thing over many years. Heidegger’s master key, the famous hermeneutical ‘destruction’ runs thus: anything that prioritizes presence (PAH) is metaphysics, thus metaphysics is bad and I can clobber any philosophy which prioritizes PAH with a great big hammer for being a sucker to destiny of being they inevitably fall victim to. What we then get, says Harman, is 18000 pages of historical writings which appraise philosophers in their relation to the metaphysical myopia they are destined to regurgitate. This means that from Plato onwards all succumb to Heidegger’s tag line: metaphysics of presence. Harman seems to have learnt a similar trick from Heidegger as a condition of his object-oriented philosophy (OOP). Harman re-reads and re-constructs the history of philosophy from what could be described, in Deleuzian terms, as Harman’s minor literature: that which can be appropriated into something new outside the context of its own creation. Harman re-reads not only the past masters (neglected or well known) of philosophy against the lens of his OOP but those so called Heideggerians, who confidently decorate the halls of academia with their butchered interpretations of Heidegger’s basic concepts.

Chapter 1 puts the record straight: Heidegger is still within metaphysics because there is a world outside our own that we do not have access to. This is the ready-to-hand (RTH), the  endo-relations of objects (to use an expression from Levi Bryant). Objects are always more than their ontic present-at-hand (PAH) relations. No object, human or otherwise, can draw any deeper from the dark well of the object’s being than each other: there must necessarily always be withdrawn, subterranean aspect of an object. All modes of absorption in the world are ontologically identical: Buddha does not have any special ontological privileges any more or less than ‘Berlin lawyers’ or electrons. If this point is taken seriously, Harman discovers that the ‘question of the meaning of being’ must be a reverse tautology, as I will explain.

Objects have two dimensions (at this point in the book they do anyway): their references and their withdrawal. Their references point to something beyond themselves, to something else, as a relation to another object. When an object is at work there is always a part of them that is in withdrawal. Harman takes the word ‘refer’, which in German is Sinn, to be ‘to mean’. If an object refers it is being. Thus to be is to mean. Sinn = Sein. The meaning of objects comes from their relatedness to the world, this is true for Dasein, who is a being ‘in’ the world of relations, but for all objects. Objects are being ‘in’ not being ‘for’: they are not representations. Thus Dasein is no longer elevated to be the only entity that has meaning and can uncover the meaning of being. All objects refer and must therefore have meaningful being. Which means all objects are Dasein! Ta da!

This may seem like some semantic chicanery, but following Heidegger’s own stance regarding the depths of objects, this logic must be taken to its fullest conclusion, which Harman sees as a the start of a full blown realism. He then goes on to trace the interpretations of Heidegger’s tool analysis from the Aristotelian continentals, such as Bernasconi who understands Heidegger’s notion of historicity to be the imperative to read the history of philosophy. As such Bernasconi reads Heidegger with and against Aristotle’s notion of poiesis. Harman emphasises that Bernasconi reads RTH as production. Which has a disastrous logical domino effect: production is teleology, teleology is PAH, PAH is metaphysics, thus Heidegger is still within a Greek ontology of PAH.

After more or less demolishing this position he moves on to the analytic pragmatists. These guys (and it mainly is guys) are obsessed with the idea of tools in use. Whereas Bernasconi saw Heidegger’s tool analysis not to do with actual tools but with the ‘exchange of presence’ between an objects RTH and PAH. The analytic pragmatists got one look at those tools and though, yes! The world is there for us to ‘understand’, to gain knowledge of in the form of ‘competence’ in its practical use: being = understanding. Harman say: wrong! Verstechen does not mean ‘knowing how to do something’ but is an unthematic ‘being-with’ that occurs in every moment of Dasein. Thus Okrent, Rorty and Dreyfus are seen off, although he is more favourable to Dreyfus for suggesting that Heidegger could be used for a ‘robust’ realism.

Harman seems to pull all this off through what seems to be his own interpretive trick-shot stating, “Heidegger must not be regarded as the absolute authority” on his own ideas! For Harman, all the interpretations of Heidegger have got themselves in a twist because they have tried to stick to the masters order of prioritizing human Dasein as something that has ontologically superior access to being than all other beings. Harman suggests to read tool-being against Heidegger’s own anthropocentricism and his failed experiments to explain it (such as his discourses on animal and insect ‘captivation’, Dasein’s ‘profound boredom’ and worldless rocks). Harman thus knocks Heidegger from his anthropocentric high-horse and, in true clockwork orange style, makes him watch the carnival of objects unleashed by a flat ontology.

The icing on the already overly ornate cake is Harman’s analysis of the fourfold. Put simply:

sky = the revealed process and tangible forces to be reckoned  within our lives. It reveals entities which are events unfolding as processes. It is an ontological category for ontic specific things.

earth = the withdrawn serving-bearer (load bearer?) of being.

gods = who comes to presence only in the absence of what is present. The Godhead is the ‘concealed sway’, the gods are the hidden messengers which remind us to wonder at being.

mortals = things capable of death as death. It is a grasping of the finitude of all that exists. Mortals means being as being. It is for all Dasein and not only human Dasein.

Harman has finally removed any hint of ontic appropriation or absurd taxonomy of beings from Heidegger’s mysterious das Geviert (fourfold/quadrate). What this means is that we can start having serious conversations about this later work and not snigger behind his back at the obscurantist later moments of Heidegger. The result of this is very important for tool-being as it helps to remove Heidegger from the hoards of linguistic philosophers who have pounced on his later writings on language. Harman makes it clear, Heidegger can teach us as much about non-language as he can about language (if you remember, ‘silence speaks’, apparently). His position can be summed up as this: the speaking of language summons the differentiation of the onefold of the world and thing, but is not the only thing that does so, and so shouldn’t hold a higher ontological importance than non-language in the questioning of being.

Zizek is a tougher nut to crack, although he necessarily has to be ousted. He too prioritizes the human subject as that which has an ontological passport to reality. However, Harman, like a bully in a playground, pushes Zizek out the way to grab Zizek’s flashy theoretical toy: retroactive causation. Harman however wields it not to gather all the other kids in the playground to marvel at it, but strides out into a vast jungle of objects: retroactive causation is a global ontological structure. The Real is that which is the gap between what is revealed and concealed by all objects where objects fantasies the ‘what is’ of other objects in specific configurations, contrary to their unknown depths. For example, not only do I fantasize my relation to other people by thinking they are complete beings who are what they display, but objects interact with other objects, deny their depths and engages in a phantasmatic relation to that object as a projection of its own desires. Abstraction is something all objects do, it is not unique to human Dasein.

What we are left with are Harman’s best friends: Levinas, Zubiri, Ortega y Gasset and Whitehead who encircle the now born-again realist of Heidegger. They join him for what look like his first tentative steps towards an object-oriented philosophy that he is still building. I have not yet read ‘Guerilla Metaphysics’, but I’ve read ‘Prince of Networks’, so I can see how the questions he left at the end of ‘Tool-being’ have been taken up fiercely in his recent work. For me, one serious consequence of Harman’s analysis is how he treats Heidegger’s work on technology. But I will leave that for another post. In conclusion, if you want to ‘get’ Heidegger (and become very unpopular with many Heideggerian’s in doing so), if you want to be part of a new wave of exciting philosophy now optimistically called ‘the speculative turn’, read this book.


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